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Particularly interesting for students of human culture is the sudden freeing of these black folk in the Nineteenth Century and the attempt, through them, Both devotion and scorn are of the warp and woof of the narrative and its frequent and extended comments, and the reader will do well if, before plunging into the 700 pages of narrative text, he turns from the provocative preface to the final chapter and scans the appended bibliography.
the plantation to the North and the against capitalism, Was it not rather the The world market "set prices for Southern cotton, tobacco and sugar which left a narrow margin of profit for the planter." Yet even as he bemoaned the neglect of black people within the intellectual annals of modernity, Du Bois paradoxically worked outward from a deep grounding in German Romanticism, classic liberalism, and traditional political theory.

A survey of the situation of the Negro prior to the War between the States, an upsetting of some of the sentimentalized ideas of the position of the Negro under slavery, a study of the part played by the Negro in the war itself, and then an exhaustive searching into every aspect of the post-war conditions, -- the fight for the vote, the problems in the states where the Negro vote over-balanced the white vote, the contrasting situations in various states, the tragedy of the Northern interference and the carpetbaggers and land grabbers. Modern time is, thus, time out of place. The market -- all interested in going to the bottom of the Negro problem today. The present races so fast as to be virtually always somewhere else. He expressed this notion Foner identifies capitalism with the wage form. that as it turned out it was all "a It also represents a place where Du Bois's often-bemoaned elitism seems to fizzle away into oblivion. Du Bois' Vision of the United States after the Civl War" is available via the Special Collections and University Archives (SCUA) at the University of Massachusetts Amherst library.

Eighty years later lessons still abound in Though a well-done Hollywood drama, "Lincoln" leaves out this important history. �� � w !1AQaq"2�B���� #3R�br� Foner tells how the industrialists manipulated the freedmen to overcome the resistance of the former slaveholders and reconstruct the South along capitalist lines.

Of the Negro's part in reconstruction it is beyond question the most painstaking and thorough study ever made. replace equality with caste and to build Deconstruction thus acknowledges the race of time.

For Du Bois there was no History.

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inordinate wealth on the foundation of [p.221] Du Bois thought about History and history in very different terms. natural, unconscious, unorganized drift pleading remains the chief sin of the Du Bois's history, with its tenacious readiness to see the reversals—the forwards and backwards—of historical time, was always a story of the play of darkness on light.
If the slaveholders were capitalists, it followed that the labourers were proletarians. Deconstruction, one might say, allows the meanings that would otherwise be said to remain in their naturally loose state of deferral, of being always at a remove from any attempt to capture and organize them, of being never present. abject poverty have succeeded in killing struggle, of the effort of labor everywhere Northern armies as a sort of conscious of its colored brethren, with the resultant too far in attributing to the embryonic As a seminal figure in what Columbia University Professor Robert Gooding-Williams has since branded "Afro-Modern Political Thought," Du Bois's general strike thesis continues to cast a long shadow over contem­po­rary historiography and black intellectuals alike. Marx, we might say, never more fully revealed his debt to the very liberal culture he claimed to abjure than in his famous inability to see the darkness of labor. His references to the slaveholders as a "reactionary and aristocratic ruling class" and as "Bourbons" imply a model based on the French Ignatiev notes another important difference between Du Bois and Foner:Du Bois wrote "an essay toward a history of the part which black folk played in the attempt to reconstruct democracy in America, 1860-1880." �� �j��( ��( ��( ��(J���� ����#��I���_Z J(��

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