barcelona museum of contemporary art archdailyshinedown attention attention
This hall, together with an intermediate corridor paved in glass block, enables the visitor to access six continuous loft-like spaces on successive levels. AD Classics: Kiasma Museum of Contemporary Art / Steven Holl Architects Its western counterpart, meanwhile, is a more typical orthogonal extrusion.
Kiasma. The very concept of an art gallery implies an inward focus. This lobby serves as the starting point for stairways, ramp, and corridors that curve off to lead into the rest of the building.
The Barcelona Museum of Contemporary Art (MACBA) is the culmination of two dreams: bringing together contemporary art collections in a single space in the style of New York’s MoMA and equipping the Raval district with light, air, public spaces and a heart. Contemporary artists produce an endless stream of unique works, and so a museum that showcases them must be able to anticipate and provide for anything ranging from the subtle and restrained to the grandiose and unpredictable. Where natural light enters from the south, it is screened in part by the external louvers, by a number of freestanding screen walls, and by the ramp.Clad in white enameled-steel panels, the plaza elevation is animated by the horizontal louvers of the ramp-hall and by two plaster sculptural elements, a cut out plane above the entrance and a free-form, top-lit special exhibitions gallery set in advance of the building at the eastern end of the main façade. The eastern building volume is a twisted, curving mass whose southern and eastern faces are truncated where they meet the urban fabric. The irregular, subtly differentiated spaces of the museum serve as exhibition halls that Holl describes as a “silent, yet dramatic backdrop” for the display of equally variegated art. Its site in the center of These features served as driving forces to determine the form of the building: a curved “cultural line” links Kiasma to Finlandia Hall, while a straight “natural line” connects it to the landscape and the bay. [8]Holl worked with more than pure massing and windows to give each space its own unique character. Major sources of natural light make the interior spa… [5] The gallery spaces are characterized by the architect as “almost rectangular,” each containing one curved wall. More than simple punctures in the ceiling, the skylights work with the curving, irregular lines of the building to turn light into a sculptural element in itself. Together with the Casa de la Caritat cultural center and a new university building to the north of its sculpture court, the museum helps to consolidate this new arts quarter within the broader urban fabric.Entry to the gallery space is through a cylindrical, top-lit gallery/foyer leading to a glazed, triple-height ramp-hall that faces the new Plaça dels Àngels to the south. Horizontal ‘light-catching’ sections along the ceilings and upper walls deflect and diffuse light from skylights and clerestory windows down into the museum spaces; this system allows natural light from a single roof opening to penetrate through and illuminate multiple levels. All images are © each office/photographer mentioned. This irregularity differentiates each successive space, creating a complex visual and spatial experience as visitors pass through the museum galleries. The Museu d’Art Contemporani de Barcelona building is the work of North American artist Richard Meier. [4]Visitors enter the museum through a spacious lobby with a glazed ceiling. It wasn’t until 1990 that the Museum of Contemporary Art opened to the public, and even then it was in a temporary setting. Since the’60s had been incubating and managing the idea of the need for an art museum specializing in the second half of the twentieth century in the city of Barcelona. Natural light was an important consideration – Holl was fascinated by the constantly changing character of Light also permeates Kiasma through an abundance of skylights. [11][1] "The Story of Kiasma." A semidetached wing at the eastern end of the block accommodates additional gallery space and the suite of curatorial offices.The main galleries are partially lit from above, particularly at the top of the building where the loft space is covered with louvered skylights. While the need to showcase the cultural treasures contained within is self-evident, the need to connect these sheltered exhibition spaces to the outside world is less so, and in some cases is overlooked entirely. After arrangements and disorderly, the MACBA was inaugurated in November 1995.Richard Meier is the American architect who created the building. Accessed March 23, 2016. http://www.kiasma.fi/en/kiasma/story-of-kiasma/.You'll now receive updates based on what you follow! This sense of 'placelessness' is what Steven Holl sought to avoid in his design for an art museum at the heart of Webster’s Dictionary defines chiasma as “an anatomical intersection.” Kiasma is, as its name implies, a design of intersections. Together with the Casa de la Caritat cultural center and a new university building to the north of its sculpture court, the museum helps to consolidate this new arts quarter within the broader urban fabric.
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