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Expanding the emotional and narrative boundaries of songs like Percy Sledge’s When a Man Loves a Woman is just what she did. CHIf you ever doubt the possibility of relaxed and respectful conversation across the world’s cultural divisions, then give yourself an hour with this astonishing collaboration between Mali’s Ali Farka Toure (who wrote all but one of the tracks) and California’s Ry Cooder (whose slide guitar travels through them like a pilgrim). HBLauryn Hill raised the game for an entire genre with this immense and groundbreaking work. All the irreplaceable soul voices, from Aretha Franklin to Bobby Womack, were steeped in gospel. Although that was really the only medieval imagery they conjured up – they ripped Dungeons & Dragons clichés out of the lyrics and replaced them with the apocalypse, with bassist Cliff Burton, drummer Lars Ulrich, guitarist Kirk Hammett and singer/rhythm guitarist James Hetfield serving as the four horsemen. Against an ambiguous, jazzy landscape, her deepening, difficult voice weighs romance and domesticity against the adventure of “strange pillows” and solitude. CHThere’s nothing contrived about Karen Dalton’s ability to flip out the guts of familiar songs and give them a dry, cracked folk-blues twist. Released outside of Jamaica by Island Records with guitar overdubs and ornamentation, the original Jamaican version is a stripped-down masterpiece. ROThe great French singer-songwriter provocateur probably wouldn’t get too many takers today for a concept album about a tender love between his middle-aged self and a teenage girl he knocks off her bicycle in his Rolls-Royce. It is the greatest articulation of his alchemic experiments with musical fusion – the sum of several projects Prince was working on during his most creatively fruitful year. The existing Open Comments threads will continue to exist for those who do not subscribe to HBThe album that carried reggae music to the four corners of the Earth and made Bob Marley an international superstar also set the political tone for many artists to follow. Pixies’ sound is already complete before Black Francis embarks on one of his elusive pop cult narratives (“your bone’s got a little machine”). Hendrix’s attack on the guitar contrasted against the more polished virtuosos in rock at the time – yet it is his raw ferocity that we find ourselves coming back to. “It’s a really, really interesting package that’s going to have other songs from that time period like [my solo song] ‘Hold My Hand.’”This process led them to a number of unreleased songs from their archives, which required finished vocals or other embellishments – along with songs that were simply never released. Morrison’s stream-of-consciousness lyrics within the richness of the acoustic setting – double bass, classical guitar and flute – make this as emotionally affecting an album as any in rock and pop. Released four months before Giorgio Moroder’s "I Feel Love", Trans-Europe Express influenced everything from hip-hop to techno. All the irreplaceable soul voices, from Aretha Franklin to Bobby Womack, were steeped in gospel. CHAn unprecedented 220 hours of studio experimentation saw George Martin and The Beatles looping, speeding, slowing and spooling tapes backwards to create a terrifically trippy new sound. Stairway? In 1989, Madonna’s personal life was tabloid fodder: a tumultuous marriage to actor Sean Penn finally ended in divorce, and she was causing controversy with the “Like a Prayer” video and its burning crosses. Dave Davies said he and his brother had been working on a number of unreleased songs along with some new material“The trouble is, the two remaining members, my brother Dave and Mick, never got along very well,” Ray said. Body Talk is simply jammed with great songs. “I’m out to bloody entertain, not just get up onstage and knock out a few songs,” he declared. The road to Motown from “Lord, Lord, Lord” by Professor Alex Bradford is narrow indeed, but you could still take a side-turning and follow his ecstatic whoops straight to Little Richard, who borrowed them, and on to the Beatles who copied them from him.
It Takes a Nation of Millions… is still one of the most powerful, provocative albums ever made, “Here is a land that never gave a damn / About a brother like me,” raps Chuck D on “Black Steel in the Hour of Chaos”.
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